1. Create as if no one’s reading. When you always imagine a reader perched on your shoulder, you’ll be worried to take chances. At least for the first draft, ignore which imaginary reader and free yourself to write whatever crazy, impossible, lousy things occur to you. You can always fix it later – in fact, you SHOULD fix it afterwards. But you’ll have nothing to reword if you’re too intimidated to write in the first place.

2. Show up with the page. Writers write. These people sit down – ideally every day but at least as routinely as possible – and compose.

3. Don’t polish this turd. If you find yourself spending a lot of time wanting to save an idea, a chapter or maybe a sentence, it usually means you’re ready move on. You’re wasting your moment trying to beautify something that, effectively, just plain stinks.

4. Help to make bad things happen to good folks. Novels are driven by turmoil, and that means bad products have to happen to your characters – these people that you’ve created and still have grown to love over the course of the novel. Your main character can have a happy ending, but along the route, he or she has to deal with sorrow, disenchantment and possibly even danger.

5. Murder your darlings. That sentence you LOVE? The sex picture that you’re sure will get you the Pulitzer? The pages that moved you to tears? Be prepared to wipe out them. In a novel, it does not take piece as a whole that matters – not so much the individual parts. Often your best writing will have to begin to see the sharp end of your touch-ups blade to make things function.

6. Let Sean Connery write ones sentences. As James Bond, he has been a man of action: everything is not done to him, he does them. That’s how you really should structure your sentences. Jenny did not get stabbed by Ann – rather, Susan stabbed Jerrika. The weapon was not discovered by police – the police observed the weapon. Writing inside the active voice keeps factors moving…and your readers examining.

7. When in doubt, pick one, any one. At some point in your narrative, you’re likely to face a hand in the road. Should Marianne get in the car? Or should the girl take off running down the road? Need to she slap the guy? Kiss him? Reveal that she’s generally secretly loved him? If you’re faced with a decision you can’t manage to make, just make it. Find out, start writing, and see exactly where it goes. If it doesn’t work out there, you can always cut it and try all over again (see #5).

8. Keep your buddies close and your reviewers better. It can be helpful to get feedback as you go, but choose readers carefully. Giving your cherished pages to someone who can be frustrated at their own inability to write a novel is a lot like handing them a jam-packed gun … pointed right at you.

9. Rewriting is composing. You may have heard the old found that “writing is rewriting,” but I like to flip this. Rewriting is just as valid a form of creativity as your first write. Sometimes it takes more than a shine – it takes reaching in your gut and daring to make whatever changes need to be made, it doesn’t matter how extensive they may be.

10. Omit and go naked. Always be free. Have fun. Through the challenging and often lonely work that is certainly writing, remember to feel the joy. Unlike money, fame as well as publication, it’s the one compensation that’s guaranteed.

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“Don’t Polish The Turd,” And Other Oddball Writing Advice That Operates is a post from: WiredWriter